Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spent the rest of the day putting the pieces together.
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If we listened to our intellect, we'd never have a love affair. We'd never have a friendship. We'd never go into business, because we'd be cynical. Well, that's nonsense. You've got to jump off cliffs all the time and build your wings on the way down.
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Ask for no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away.
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You must stay drunk on writing so reality cannot destroy you.
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Love. Fall in love and stay in love. Write only what you love, and love what you write. The key word is love. You have to get up in the morning and write something you love, something to live for.
Thursday, November 12, 2009
Sunday, November 8, 2009
Poem ofthe Month
A Story About the Body
By Robert Hass
The young composer, working that summer at an artist's colony, had watched her for a week. She was Japanese, a painter, almost sixty, and he thought he was in love with her. He loved her work, and her work was like the way she moved her body, used her hands, looked at him directly when she made amused or considered answers to his questions. One night, walking back from a concert, they came to her door and she turned to him and said, "I think you would like to have me. I would like that too, but I must tell you I have had a double mastectomy," and when he didn't understand, "I've lost both my breasts." the radiance that he had carried around in his belly and chest cavity--like music--withered, very quickly, and he made himself look at her when he said, "I'm sorry. I don't think I could." He walked back to his own cabin through the pines, and in the morning he found a small blue bowl on the porch outside his door. It looked to be full of rose petals, but he found when he picked it up that the rose petals were on top; the rest of the bowl--she must have swept them from the corners of her studio--was full of dead bees.
By Robert Hass
The young composer, working that summer at an artist's colony, had watched her for a week. She was Japanese, a painter, almost sixty, and he thought he was in love with her. He loved her work, and her work was like the way she moved her body, used her hands, looked at him directly when she made amused or considered answers to his questions. One night, walking back from a concert, they came to her door and she turned to him and said, "I think you would like to have me. I would like that too, but I must tell you I have had a double mastectomy," and when he didn't understand, "I've lost both my breasts." the radiance that he had carried around in his belly and chest cavity--like music--withered, very quickly, and he made himself look at her when he said, "I'm sorry. I don't think I could." He walked back to his own cabin through the pines, and in the morning he found a small blue bowl on the porch outside his door. It looked to be full of rose petals, but he found when he picked it up that the rose petals were on top; the rest of the bowl--she must have swept them from the corners of her studio--was full of dead bees.
Tuesday, November 3, 2009
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